Spring/Summer 2024

Art & Auctions
Masterpiece Comes to Market

An early masterpiece by Italian Renaissance painter Titian will headline Christie’s Old Masters Part I sale on July 2 in London, presenting a very rare opportunity for buyers to become part of the next chapter in this fabled picture’s remarkable story.

Rest on the Flight into Egypt (estimate: £15,000,000 – 25,000,000) comes to the market for the first time in more than 145 years, the auctioneer says.

Tiziano Vecelli or Vecellio, Latinised as Titianus, hence known in English as Titian, is considered the most important member of the 16th-century Venetian school.

One of the last religious works from the artist’s celebrated early years to remain in private hands, the picture has passed through some of the greatest collections in Europe and was last auctioned by Christie’s in 1878, before entering the collection at Longleat House.

Orlando Rock, Chairman, Christie’s UK, says: “This sublime early masterpiece by Titian is one of the most poetic products of Titian’s youth. Of impeccable provenance and having passed through the hands of Dukes, Archdukes and Holy Roman Emperors, this magical devotional painting has the rare notoriety of having been stolen not once but twice – firstly by Napoleon and secondly in the late mid-1990s. We are honoured to be entrusted with bringing this important and beautifully observed painting to the market in London this July.”

Andrew Fletcher, Christie’s Global Head of the Old Masters Department, comments: “This is the most important work by Titian to come to the auction market in more than a generation and one of the very few masterpieces by the artist remaining in private hands. It is a picture that embodies the revolution in painting made by Titian at the start of the 16th century and is a truly outstanding example of the artist’s pioneering approach to both the use of colour and the representation of the human form in the natural world, the artistic vocabulary that secured his status as the first Venetian painter to achieve fame throughout Europe in his lifetime and his position as one of the greatest painters in the history of Western art.”

Rest on the Flight into Egypt was acquired by the 4th Marquess of Bath in 1878, more than 145 years ago. Enjoyed by multiple generations, the painting made the headlines in 1995 when it was stolen from Longleat. Seven years later, following a £100,000 reward being announced for information leading to the picture’s safe return, it was found in 2002 in a carrier bag in Greater London, minus the frame, by a leading art detective of the time – the late Charles Hill, a former Scotland Yard officer.


Always regarded as a youthful masterpiece by Titian and generally dated circa 1510, there are however some inevitable variations on the precise dating. In his 2012 exhibition at the National Gallery in London: Titian, A fresh look at nature, Antonio Mazzotta, who dates the picture to circa 1508-9, observed that the monumental figure of the Virgin ‘prefigures other Titian heroines’ from the period, notably that of Judith as Justice in the detached fresco fragment from the Merceria entrance to the Fondaco dei Tedeschi, circa 1508 (Venice, Ca d’Oro), a key early commission, 

In his review of the 2012 National Gallery exhibition, the centrepiece of which was Titian’s Rest on the Flight into Egypt of 1506-7 (St. Petersburg, Hermitage), Paul Hills singled out the Longleat picture for particular praise and the artist’s masterful use of colour: “The red of the Virgin’s dress, offset by the [white] napkin, is treated with marvellous breadth, and the ultramarine of her cloak is spread across the bank to meet the strong amber of Joseph’s mantle, which in turn contrasts with the violet of his robe.

“The solicitous movement of the figures, counterpoised by the tilt of tree-trunks, is underscored by this drama of colour.” 

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